massive release on the new label run by adam kroll & markus müller on the a-side >katang< pawas is coming up on this split ep with his debut release on squonk and presents an energetic and repetitive techno stomper with a leading percussion figure that keeps you moving ! with >che che< beume presents an experimental and dynamic percussion tune with funny and slighlty psycho vocal cuts

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

get physical’s sub-label reaches number six with the debut from berlin-based swedish producer and mitek label boss, mikael stavostrand.

henrik schwarz is now back from where he started in 2002 with the supravision ep (mood-016), and we are happy to have him onboard again. walk music came to life some years ago on one of henriks amazing liveshows and as with all good things, it was worth the wait! walk music is a deep, mesmerizing excursion into his soul-funk-disco roots with a mysterious vocal line chugging into your mind while the driving beat and bass keeps your butt moving – pure funk we say. some added strings and an exceptionally suprising arrangement make this another classic henrik schwarz journey.

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

john thomas with brill moving funky techhouse, scratching tools, and a cool minimalistic tech funk remix by minibar user cabanne

eidolon aka ian lehman already starred on we are, luxaflex and syndikaat to name a few and stirres up things with his >templar< !! three steady moving bass monsters with dangerous subs and high tech edits

the mighty boys, the mighty mighty boys… following up their release together on num limited, zeitgeist, the two funksters come up here with deeper materials. not only it is deep but it marks as well a musical turn which sthlmaudio recordings is taking for the upcoming releases. having jammed together a hundred times with ever feelings and musical inspirations, agnès & ripperton deliver here their deeper works to date. the a side track is a 14 minutes long old school house track recorded and edited live. wonderfuly coming and going pads, stunning classical deep hook, grooving modern rhythm structures and the now known duo s ability to render ever moving tracks full of organic feelings

delicious nu skool funkin chicago styled house groover

after becoming a significant force in the western canadian music scene rennie >dubnut< foster expanded his artistic visions by moving to tokyo, japan. his deep roots in music and love for the detroit sound mfor the second artist featured for the subject detroit global series. all 4 tracks contain the essence of japanese inspired beauty while maintaining the grit and mentality of the detroit sound.

dj support: chloe, james flavour, sven dohse.. !! what is control launches with a driving beat, followed by a dark vocalsample with a touch of malevolence, the pair shapes a distinct sound which should distinguish it from the mountain of minimal tracks out there. it s creepy, has an edge and there s enough vitality to keep hips moving on the floor with its funky bassline. >not my enemy< on the b-sides is a bit deeper and reduced. weird synth-lines and spooky vocal shreds are marking the break, before the track ignites with cascading snthesizer triplets. manic

after a string of releases in 2006 on labels such as klang elektronik, soma sub label pnuma and of course tuning spork dan keeps the momentum moving strongly forward with perpetual line steppers

for the 31 patterns welcomes ingoma, primate and recycled loops - artist boriqua tribez !! tribez separates himself from the rest due to his uncompromising affection for drum powered, tribal techno grooves. each and every time he keep surprising with new and improved arrangements of bongo patterns, impressive snare action and moving melody..

la place au soliel returns with a stunning minimal techno adventure. >leave me alone< is a deep bass n beats driver with a vocal from jorg bruckschen (eintakt04). the a2 track >simple< is a totally chilling downbeat track with warm atmosheres and a cheeky 303 sound. msq on ob the b-side represents the darker percussive side of frank hellmond and dieter krause. last but not least, >pussy cat< puts a fat smile on your face while listening and moving your ass to the dubby, easy house beat!

equipped with the past, celebrating the future was always an effective artistic strategy of creating striking ensembles. six years after their debut album >future< and four years since the last maxi >errorist< (both available on disko b), artist unknown, germany s cloak-and-dagger electro project is performing on anthony rother s datapunk label, which is currently expanding its content of electro music in all directions, like no other platform at this time. artist unknown covers itself with regards to their biography and presents selected pilgrim travels to kathmandu, guitar roadie performances for oasis and video stores in turku as its highlights

2 dancefloortracks of hamburg based label fresh fish rec. on the a side hausmann c presents a >beaty world< . on the flip paulo olarte does his thing with >dulce mio< . beaty world tells the story of a fight. with no need for words, the protagonists realise their roles and invent a language of their own. moving like dancers they approach one another, each strike a thought. a bubble suspended in the air. triumph alone encounters its dark side, as with apparent lack of effort it strips itself of all blemish. with stoic calm and an alienated quotation >dolce, mio< sets out to find the inner muse. entering her space the available talents present themselves and put themselves to the test. nothing appears simple, they flow and envelope their own idea and try desperately to gain the ultimate tension, which then, in retrospect incredulous, strangely intoxicated, is received as though by a jubilant choru

label boss parr grinvik present a brand-new talent with the 6th release on the respected stockholm limited label. with the last production which came from his very own hand the label is once again put back on the global map and the buzz around these swedish minimal grooves is stronger than ever. s. linzatti is one of those promising talents and starts off with a superb piece of craftsmanship. his amazing moving grooves are remixed by the dynamic duo from the states, tim xavier and tony rohr aka the afternoon coffee boys.

huge collaboration here between sweden s top duo tiger strips and the red-hot kerri chandler. >rain song< is an absolutely stirring vocal cut with some heavy duty afro-latin percussion and powerful brass moving things along. top peak hour track right here. on the flip you ve got two tiger stripes mixes - a hot dub and an instrumental - that take a more techier approach. very similar vibe on these to kerri s massive >bar a thym<

while everyone else was enjoying the summer of the century ( and probably the world cup ) the botox boys hurled themselves in the studio and indulged into a cosmic electronic >kraut< session. on the hard stomping >lada rock< cosmo vitelli lays down a stoic one note bassline and grants tekels julien briffaz some time to get freaky with hard metallic, stumbling beats behind his drumkit before skanking guitar chords preludes several minutes of countless dramatic organ and synth erruptions. after this wild freak-out your body gets a rest, its now the mind that gets messed with, the slow moving >drive by shooting< with its neverending, grinding, menacing cascades of hot-lava like synth tides sounds like a dark balearic tune on bad acid

amnesia resident paco osasuna shells out another gloomy minimal, kicking double-header proving he s well versed in the art of moving butts. the aplty titled >move< pulls his pressure from the distorted whipping snare rolls that frantically step tumble all over the clicking beat. on the flip paco injects some funk with a short, dangling guitar lick stabbing into a busy beats, a growling bassline and nervously shuffling beats. dj support: dj t (get physical): >a1 is nice moody, it s in my case.<, laurent garnier: >nice funky a side. will play it out! <, tobi neumann: >fette techno nummer, sexy und hart. full support!<

a heady and exotic brew, moving bonobo ever closer to crossover success.

the i want my mtv mix takes the original straight to the dancefloor with a tough and techy outing that re contextualizes the vocal and injects a robo funk vibe thats guaranteed to get the crowd moving. on the flip, as the title suggests, the lightly touched dub moves closer with the original,staking a deeper vibe and more hypnotic approach, while emphasizing the elements and drawing out the groove. already a west coast favorite on white label doc martin needed two copies! the we are not mixes of rivers are poised to make their international bow with a club approved boom dj support from doc martin, chris fortier, chris duckenfield g pal, jon sinclair, solar, kostas michalis, reticent, deko ze, andy hughes, and shylock

classic album from john selway including the tracks >remember< or >digitalemotion< in the >serotonin rmx< !! the original is played by sven väth

after a long while heres a new release from clairaudience with music provided by label head anthony nicholson aka miquifaya. taking a bit of a departure from anthonys standard deep tribal sounds he seems to go back in time to 90s chicago conjuring sonic images of classic labels prescription and balance. the a side keeps things moving with a grunty scat and grind of the organ while the flip stays straight chuggy with spacey synths and detroit esque strings. a perfect move forward for that deep soulful tech sound dominating of late

the fourth release on anfnotor features yet more top-drawer electronic emissions from cledus snow and aleksandr jurczyk two individuals based in glasgow. their sound is of late nights in clubs and early mornings under the sky with the party scene of glasgow evident in various distinct ways. cledus snow is the latest project from callum campbell, who has risen from the sound of the late 80s and early 90s heavily influenced by machines such as the dx7, and musically by the tones and textures produced by detroit, eindhoven and london. since moving back to glasgow aleksandr has been involved in new musical projects and has started to carve a niche with his unique electronic sound. his latest offering sees him assault the dancefloor with an italo bassline fuelled late night thumper. so far this 12 has received praise from mark bell aka lfo, erwin van moll aka max 404, $tinkworx, kenny larkin and kurt baggaley aka scape one

the cult label from germany, which is coming back after two years of absence. premature wig is a new house project by kenneth james gibson (apendics. shuffle, eight frozen modules). with the singer lisa fabian he programmed two funky house tracks with bouncing beats and a couple of quirling effects. dancing on gibson`s tracks is like surfing on waves, surfing on a surface, which is changing its smoothness in seconds. the tracks are breathing minimal soul mixed with a specific californian flair. remixes are done by mikael stavöstrand, who produced years ago already for force inc. moscow s dj igor o. vlasov delivers a moving acid mix.

franklin delivers a tow track killer. the a side to remain comes with a funky synth driven track where randomness rules ! metal sounds that go mental at the peak of the track an a groove that will keep you moving! on the flipside kill your cat takes you on a deep, dark and twisted journey. dubby sounds and mental noises pop up in an unexpected timing to complete this secret tool !

frankfurt based max wendling, who released so far records under the name paradroid on labels like mille plateaux, orac, overdrive, friends of tomorrow, goes on with the new force inc series. paradroid combines molecular sounds and splatter parts which intensify the grooves, that the sounds are at the end the groove themselves. the groves are earthy and deep and the music is moving forward like whirling sequences….

inc. classic 2000 and one rmx as le clic producers julien chaptal, noah pepper and aron friedman have combined their forces. amsterdam s hottest new live-act is currently storming dutch dancefloors with a totally fresh approach to dance music. walking the fine line between pumping house and crispy minimalism, le clic is capable of moving any crowd. on their wolfskuil-debute the trio displays many qualities.

minimal harmonik sounds!!!

silversurfer delivers to ntrop >lay down< a hypnotic techno track filled with his known moving drum sets besides his psychotic sounds. to prove his diversity on the b-side comes >one step<, deep, ethereal but still thirsty

rekid is the alter ego of matt edwards aka radio slave and is the pseudonym he uses for his more serious/underground work and made in menorca is his first album released under the rekid moniker moving between stark cold european machine music sophisticated nods to us house and disco

get with you keeps the main room crowds moving with a driving house winner this time combining more gritty analog lines with unrelenting beats fuzzy analog bass and some great vocal drops then r n rs electro nutz mix gives the cut a great electro makeover with a retooled rolling bassline and more prominent electro flavored synths flip for a great carlo grieco rmx fed up is a stomping peaktime track packed with analog grit and soaring synths as the boys lay down a pumped up primetime house anthem

dj sneak versus mastik soul on one 12inch !!! wow this one is a welcome addition to any set. driven, groovy, funkin jackin house to keep you moving!

man play dead consist of pj davy and danny graham the boys collaborate on the original mix to deliver a beefy chunked up break house burner with a techy edge made up of body moving rhythms and a dark b line on the b side is moonfaces remix which takes the original on a deeper journey

run by mike humphries, the pounding uk techno label retunrs with more moving technology with the bosnian dj mika !!!!

one of the most hartwrenching blaze anthems ever with it s fantastic, classic soul vocal delivery, instantly recognizable string theme and the butt moving squelchy bassline sees a welcome return on deserving uk imprint dance wicked. prolific, hard-working uk producer asad rizvi updates the song for today s house floors. slowing down the tempo slightly and slimming it to a phatt and prominent funk bassline, squelchy chords and solid beats laced with pleading ad-lips...incl classic original version (from shelter rec)

>the trip< sees wil moving away from his usual late night house gear on this percolating analog-fueled winner, with great percussion, drifting atmospheric synth lines, bubbling analog hooks, and a fuzzy analog bassline all combing for some textured late night techno. on the reverse, >the gravity soundtrack< combines a soulful vocal from wil with some very detroit-esque late night techno backdrops, with warm chords, shuffling beats, and more vibrant analog keys all playing a part..

>tears< is a rich tech-house pleaser for the lat night crowds, with a thick bassline, bubbling analog keys, crisp beats, and drifting synths all combining nicely for some very jeff mills-like gear!! on the flipside, part 2 hits more of a peaktime groove, with filtered synth stabs, chunkier beats, and a retooled bassline helping to keep the floor crowds moving !!

attention please ! we are about to introduce a new brother to our antipop family, joystick experience, a long time compatriot and musician with c-rock s >release-music< label. after inspiring tunes on trapez rec. and philter rec. (tokyo), joystick experience comes up with his sixth release >dirty fingers< and adds a few new fantastic flavours to the antipop menu. youll find up-to-date minimal techhouse elements combined with funky retro 80ies inspired synthesizer melodies that keep your butts moving ! a nice one

cruising (a-side): get into the hypnotic groove of this huge track, constantly building, moving and shaking. you re locked in an upward spiral of hedonistic abandon on a packed dancefloor. think of Âme s recent burner: >rej<. it s that good !! ambition buddy… (b-side): come and meet tim s funky friend catchy josé. he likes to get down on the electro funky grooves of his wunderkid friend, very late in the morning –think tiefschwarz break-dancing in africa… played by anja schneider (mobilee)

here we have 4 absoltuly bannging tracks with evil breaks and great arrangements! all 4 tracks are perfekt hardfloor peaktime techno .. supported by sven wittekind, torsten kanzler, rush and pet duo !!

richard dinsdale is quickly moving into the dj elite.he is resident at seb fontaine's type night at the cross and muzika. on the production front he has just remixed the skeleton key sound track for rennaissance and has had tracks signed to the likes of toolroom as well as this debut on kinky vinyl. dj support: pete tong, steve lawler, seb fontaine, roger sanchez, eric morrillo, plump djs

strong new electro house release by majestic on palace recordings moving straight to the dancefloor with some big synth riffs fdlip for a deeper dark chocolate cut (sb)

great electronic with fm, chris juno, melchert, pavel j.ziolkiewicz and louis !!

kenny keeps things moving along swiftly for an almighty funk spot flip for a vocal free revision

punky dark alien grooves with a touch of nina hagen incl shorter songs that got to the point and constantly keep the pace moving most of the music and vocals on this album are single takes most made within a few tries

the guys have the special touch that always seems to make the bombs dark funking and bumping chugger on a side flipside with a more moving bassline and hard acid tones

incl steve sterac rachmad remix!! full with tribal tech clubtracks with moving rhythms and soulful sounds !! this ep contains a ranges of different kinds of techno, but always with tight grooves and the right kicks!! supported by steve rachmad, oscar mulero, heiko laux, dj shufflemaster, damon wild, the advent...